Without even playing it back, Lacy then reached down and deleted it. It took three taps: stop, delete, back to the beginning. He played the riff again, subtly differently. For the next half hour, that's all Lacy did: play, tap-tap-tap, play again. He experimented wildly for a while, then settled on a loose structure and began subtly tweaking it. Eventually satisfied with that bit, he plugged in his Fender bass and started improvising a bassline. A few hours later, he began laying vocals, a breathy, wordless melody he sang directly into the iPhone's microphone. He didn't know quite what he was making, but he was feeling it.Īll night, Lacy goofed around. He found a sword in the studio, and made up a shockingly catchy song called "Sword in the Studio" that's still rattling around in my brain. He paused every few minutes to snack on Sour Patch watermelons or let out a deafening burp. Occasionally, when I asked him a question, he'd respond with a British accent. He paced around the room, took a call from his mom, and joked with his manager, David Airaudi. And even when he'd get back to making beats, it still looked more like play. ![]() ![]() It was only after Ego Death got a Best Urban Contemporary Album Grammy nom that Lacy decided a music career was for him. (Some signs are hard to ignore.) But he was going to school in Harbor City, 25 miles and untold traffic away from the Hollywood studio. He jailbroke his iPhone, which gave him access to an app called Bridge that could save songs straight from the internet. He also tore through the App Store, experimenting with iMachine, BeatMaker 2, iMPC, GarageBand, and others. #Diablo 3 set dungeon locations cracked.
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